Research by Rebecca Warburton
The story of 'Colourless' is currently intended to be portrayed with an emphasis on colour. The form of the piece accentuates the protagonist's differences/ isolation by being white, compared to the rest of the world which is in full colour. Inspiration could be taken from the 60's decade which was full of colour and textures. Pop Art was a popular genre of art during the time; it often portrayed people abstractly with portraits of icons repeated side by side in different colours. |
| Collection of 60's posters secondary sourced from the internet |
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| Collection of 60's illustrations secondary sourced from the internet |
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| 60's Patterns/ textures secondary sourced from the internet |
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| Collections of Pop art sourced from the internet |
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| Secondary sourced Collection of 60's style bedrooms |
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| Primary Sourced hairdryer and record from Doncaster Exhibition |
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| Primary Sourced 60's dress from Doncaster Exhibition |
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| Primary Sourced 60's tie and trousers from Doncaster Exhibition |
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| Primary Sourced art from Doncaster Exhibition: 'Chromatic Mutations (1969)' by Timothy Armstrong |
The card reads: "In his 'kinetic constructions' Armstrong uses a mixture of coloured screen prints and curved Perspex to give a sense of movement as you walk past the image.
Timothy Armstrong studied at Nottingham College of Art and design, where his work was strongly influenced by his teacher Bridget Riley.
Construction and Silk Screen Print"
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| A collection of Bridget Riley's art work |
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| Primary Sourced art from Doncaster Exhibition: 'Staten (1962)' by John Howlin |
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| Primary Sourced image from Doncaster Exhibition: Northern Bus Station and Car Park |
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| Primary Sourced art from Doncaster Exhibition: Doncaster: Car Park 3 |
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